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October 31, 2005

Inane Assignment of the Week

And I quote from my philosophy instructor's handout...

"Paper Topics (Pick One):

  • Aristotle's Concption of Happiness:  What is it? How does it differ from the modern conception of happiness? Which one is better?
  • Aristotle's Understanding of Virtue and Vice:  How is it different from our contemporary understanding of them?
  • Aristotle on Friendship..."

Sample Opening Paragraph:

"In Book VIII and IX of the Nicomachaen Ethics, Aristotle addresses the issue of friendship. He clearly sees friendship as an important topic in his overall attempt to establish social virtues. In this paper I will argue that Aristotle's notion of friendship is too limited because it fails to take into account other possible forms of friendship...Thus, I will first examine Aristotle's understanding of friendship that he lays out in the two books. Then I will address the strengths an weakness of this conception of friendship and offer some other alternatives. I will end this paper with the discussion of how friendship is essential to the attainment of human happiness, which is his main concern in his Nicomachean Ethics."
----------------------------------------------------

This violates every notion I have about good writing and good sense.  Can someone tell me what "the" modern conception of happiness is? Define "our" contemporary understanding of virtue and vice? Tell me why it's not only permissable, but desirable to use the first person pronoun?  (I received a B+ on my first paper for failing to do just that.)

Next week:  Group project on St. Augustine's Confessions--Catholic school style. *groan*

from MoveOn.org

Stop Alito

This morning, with his administration growing weaker by the day, President Bush caved to pressure from the radical fringe of the Republican Party and nominated Samuel Alito to replace Sandra Day O'Connor on the Supreme Court.

Alito is a notoriously right-wing judge on the Third Circuit Court of Appeals. He has consistently ruled to strip basic protections from workers, women, minorities and the disabled in favor of unchecked power for corporations and special interests.

Bush's ploy to woo the far-right could reshape the High Court for decades to come—but we don't have to let that happen. Today we're joining the campaign to stop him by aiming to collect 250,000 signatures in 48 hours. Can you help us get there?

Happy Birthday, Seth!

My sexy Scorpio turns 29 today--a Halloween baby!  And what better present than an acceptance from the Colorado Review of his poem, "Chaos Theory in Under Five Minutes"!?  Happy birthday & congratulations, Sweetie!

[Postscript: I just re-read 'Chaos' and it is, in fact, a damn fine poem--just the sort of thing I would love to have written myself, or as an editor to have received.]

October 29, 2005

W.S. Merwin's "The Drunk in the Furnace"

Final update (Mon, 4:06pm): finished the paper at around 11:45 this morning and handed it in at 1:00pm. I need to figure out why my mind only kicks into high gear in the twenty-four hours before something like this is due. I used to think it was just procrastination, but it's more like an engine that won't turn over until it absolutely has to. It took me an entire weekend to write the first page, and then a few hours to do the remaining five!

Update (Sun, 10:50am):  this is all I've got so far...

"W.S. Merwin’s “The Drunk in the Furnace” is at once a celebration of the individual, and an indictment of small-town religiosity. The title’s drunk is a homeless alcoholic who has taken up residence in a junked smelting furnace on the outskirts of a Protestant town. Though a reviled outsider in the eyes of the townspeople, he becomes a Christ-like figure to their children, who “flock” to his dwelling on Sunday afternoons. For the poet, much of the anecdote’s power lies in its inversion—enacted not by authorial will, but by life itself—of a time-worn metaphor. In Paradise Lost, Milton describes hell as a “dungeon horrible, on all sides round, / As one great furnace flamed” (61-62). The drunk’s furnace, however, is something altogether unlike perdition, and Merwin avails himself of the opportunity it presents to subvert traditional Christian dichotomies. Throughout the poem, he blurs the hard lines drawn by the townspeople between opposing qualities—good versus bad, insiders versus outsiders, etc.—by mixing high diction with low; merging religious language and imagery with the idiom of the iron works; and in the poem’s final stanza, yoking allusions out of several disparate literary traditions."

Blah, blah, blah, blah, blah. This is for a course called Studies in Poetry, a major requirement that I'm forced to take rather late in my career because I'm a transfer student.  It's just not all that interesting, and right now my most serious academic weakness--an inability to focus when I'm bored--is flaring up big time. Blogging about it is just another excuse...

-------------------

Writing on diction and figuration in this one for a paper due Monday...

The Drunk in the Furnace

       For a good decade
The furnace stood in the naked gully, fireless
And vacant as any hat. Then when it was
No more to them than a hulking black fossil
To erode unnoticed with the rest of the junk-hill
By the poisonous creek, and rapidly to be added
       To their ignorance, 

       They were afterwards astonished
To confirm, one morning, a twist of smoke like a pale
Resurrection, staggering out of its chewed hole,
And to remark then other tokens that someone,
Cozily bolted behind the eye-holed iron
Door of the drafty burner, had there established
       His bad castle. 

       Where he gets his spirits
It’s a mystery. But the stuff keeps him musical:
Hammer-and-anviling with poker and bottle
To his jugged bellowings, till the last groaning clang
As he collapses onto the rioting
Springs of a litter of car-seats ranged on the grates,
       To sleep like an iron pig. 

       In their tar-paper church
On a text about stoke-holes that are sated never
Their Reverend lingers. They nod and hate trespassers.
When the furnace wakes, though, all afternoon
Their witless offspring flock like piped rats to its siren
Crescendo, and agape on the crumbling ridge
       Stand in a row and learn.

October 28, 2005

INDICTMENT

The spinsters are out in force already, and the fallacy they're tossing around is this:  There was no underlying crime, and Scooter Libby's lying to the grand jury was just inexplicably stupid.  Rubbish.  I listed to Pat Fitzgerald's press conference on my way home from classes today, and he made much of the fact that perjury, obstruction of justice, and making false statements are serious crimes, precisely because they thwart a prosecuter's attempt to make his or her case.  Fitzgerald did not say that more serious crimes weren't committed.  He said he couldn't get at the truth because Libby lied.

Sloppy Journalism

"Criminal charges could force Rove or Libby to step down from their posts -- particularly because of Bush's vow at the beginning of the investigation to fire anyone on his staff who was involved.

He appeared to set a higher standard in July, saying, "If someone committed a crime, they will no longer work in my administration." (my emphasis, STORY).

That's a lower standard, folks. Lower.

P.S. I hear Air America Radio's Stephanie Miller has dubbed Karl Rove "Tubby McTreason." I shouldn't laugh, being not exactly svelte myself, but I really can't help it.

October 27, 2005

Poem Draft

*snip* I don't want Google caching a copy of this. Thanks, Jess. I'm glad you liked it.

October 26, 2005

English Major Word-of-the-Day

parturition

SYLLABICATION:  par·tu·ri·tion
PRONUNCIATION: pärty-rshn, -t-, pärch-

NOUN:  The act or process of giving birth; childbirth.

"Not infrequently, as we'll see, the undertaking to reparent, as it were, or "reissue" the bastard infant of (what is presented as) [Henry] James's juvenilia is described simply as male parturition." --Eve Kosofsky Sedgwick on Henry James's New York edition prefaces in Touching Feeling: Affect, Pedagogy, Performativity.

I like Sedgwick so far, but nonetheless found myself giggling when I came upon this use of the word "eventuation":

"By 1907, though, when the volumes of the New York edition were beginning to appear, James's theatrical self-projection was sufficiently healed that he had actually begun a new round of playwrighting and negotiations with producers--eventuating, indeed, in performance."

October 25, 2005

Love, Sex, Death and...Taxonomy(?)

(edited 10/25/05, 11:15am)

Ron Silliman's review of Shanna Compton's Down Spooky prompts me to a few thoughts. The first, and most generous, is that I'd love to read the book. But I suspect that has more to do with the excerpts than with anything Ron had to say about them.  Less generously I can't help but wonder why the obsessive taxonomy? For instance, "But, for me, the real proof that the phrase “New York School" no longer has any current substance is that nobody I know thinks to use the phrase to describe the elegant, wry, pointed poems of Shanna Compton," or "Compton gets away with her own retro echo of the 2nd gen NY School," or, say, the entire third paragraph of his review.

There are a very few things in PoLand that really irk me, and this is one of them. Why? Because it looks, sounds, smells, and tastes like the worst kind of canon building. One might call it top-downism, but I prefer inside-outism.  Like some bizzaro aesthetic version of New Historicism, it turns away from the foreground of individual talent (the poet), and prefers instead to fix its gaze on an all-important contextual backdrop (the 'project' aka School, Movement, etc.). The interaction between poet and project moves in two directions, but the end is always an elevation of the project itself. In the first direction, the poet warrants merit to the extent that he or she seems to participate in an approved poetic project. "Poet Z synthesizes elements of Poet X and Poet Y, who are/were icons of the ABC School." Once that threshold is crossed, however, the project becomes a means by which to bolster the poet. "The bold line Poet Z employs in...alludes to Poet X's use of it in..."  The high school analogy goes something like this:  At first Brenda is accepted by the in-crowd because she dresses cool like them. Afterward Brenda's outfits are cool are because she's part of the in-crowd. Either way, it's the in-crowd, or the project, that's the thing.

So, what exactly is this aggressive taxonomy if not an attempt to guide the work of anthologists?  I mean, there's only so much immortality to go around, and who's going to wait for history to mete it out?  Or worse, editors.  But perhaps that's too strong. Rather than impute motives I can't possibly know to any individual or group, I'll just say that it's probably easier to strong-arm a Movement into the anthologies than any individual talent. And if that Movement can be billed as a neglected counter-culture all the better.

On another level, the obsessive categorization strikes me as just so much poetic trivia. And among my English professors the least interesting and/or helpful are those who have the largest fonts of trivia tucked up in their minds. They're the least capable of thinking on their feet with regard to students' observations. They unwittingly fling cold water on productive discussions because they can't help blurting their encyclopedic tangentia.  And they give the impression of never having thought any damn thing but that they read somewhere else first.

Which is where this canonization via categorization bothers me most of all--not as a poet, or poetry editor, but as an English major. Because everything that goes on in the classroom is nothing more or less than an appreciation of the poet, and by extension, an affirmation of the anthologist. Undergraduates are asked to read critically, but may not, under any circumstance, critique. When I'm asked to write on a particular poet or poem, the underlying assumption is that work in question works, whether or not it works for me. So one spends a great deal of time thinking up intelligent-sounding observations that one doesn't really mean. Or substituting the effects the poet meant to achieve for what's actually on the page.

Frankly, I pity the poor English major who, decades hence, will be forced to write an appreciation of some half-baked poem that made the canon thanks to its promotion by some very loud cultural engineers.

October 21, 2005

The 30 Year Old Undergraduate

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via Artichoke Heart, Picture Yourself in Plastic with The Mini-Mizer

I'm Going to Be Sick

Sen. Judd Gregg (R-NH) added $853,492 to his millions on Wednesday night by picking 5 out 6 winning numbers in the Powerball Lottery. (Story)  The Fates think they're fucking hilarious, don't they?

October 20, 2005

Pimping Jim Behrle's Poem

In the best possible spirit, of course. I hope Jim doesn't mind...

Milieu

I mark him zero and mine—
& love is:

               an evil word
               the shape of a tulip
               the language itself.

We sweat past each other—
                 swaggering and
                          dying and

more beautiful than God.

October 19, 2005

Feels Like Friday

All my papers and exams are finished, and I have nothing else due for two weeks. Hallelujah! I also get a bit of break in that my Yeats professor will be in Florence next week attending a conference for Irish Studies program directors, so no classes!  Now I just have to get caught up with TNHR stuff, put together a writing sample for the advanced poetry workshop I want to take next semester, and brush up on my French so I can complete my foreign language requirement. And of course read, read, read.  For tomorrow:

  • Yeats, Michael Robartes and the Dancer
  • Seamus Deane, "Yeats and the Idea of Revolution"
  • Edward Said, "Yeats and Decolonization"
  • Henry James, What Maise Knew

Speaking of Yeats, the more I read the less I like him.  Despite being surrounded by strong women like Lady Gregory, Con Markievicz, and Maud Gonne, (or perhaps because of it) he was sexist turd. The colloquy in "Michael Robartes" is a good example. He's also a master of the backhanded compliment, and most of his elegies read like elaborate critiques. Then there's his reactionary political and cultural conservatism...  Since all of this is in the poems themselves and not confined to biography, I'm having a hard time seeing the value of his work.

October 17, 2005

From the Stacks

"To see oneself is much desired; but to see onself is, ironically, to destroy oneself." --Frank Hughes Murphy, Yeats's Early Poetry: The Quest for Reconciliation

Of Course

In the midst of all this course work, there's a poem I don't have time for begging to be written.  My creative mind is never so enthusiastic as when it's trying to neglect some responsibilty.

Update

I've not quite kicked the habit. I'm smoking far less than I was (sans patch, of course), but I don't feel as though I can completely abandon my crutch. I have a paper due tomorrow and a mid-term on Wednesday. Maybe I'll try again once I get through those.

The paper is on Yeats's "The Man who dreamed of Faeryland"--challenging because the early Yeats is not quite as good as middle or later Yeats, in my opinion.  But judge for yourselves if you like...


The Man who dreamed of Faeryland


He stood among a crowd at Drumahair;
His heart hung all upon a silken dress,
And he had known at last some tenderness,
Before earth took him to her stony care;
But when a man poured fish into a pile,
It seemed they raised their little silver heads,
And sang what gold morning or evening sheds
Upon a woven world-forgotten isle
Where people love beside the raveled seas;
That Time can never mar a lover’s vows
Under that woven changeless roof of boughs:
The singing shook him out of his new ease.

He wandered by the sands of Lissadell;
His mind ran all on money cares and fears,
And he had known at last some prudent years
Before they heaped his grave under the hill;
But while he passed before a plashy place,
A lug-worm with its grey and muddy mouth
Sang that somewhere to north or west or south
There dwelt a gay, exulting, gentle race
Under the golden or the silver skies;
That if a dancer stayed his hungry foot
It seemed the sun and moon were in the fruit:
And at that singing he was no more wise.

He mused beside the well of Scanavin,
He mused upon his mockers: without fail
His sudden vengeance were a country tale,
When earthy night had drunk his body in;
But one small knot-grass growing by the pool
Sang where—unnecessary cruel voice—
Old silence bids its chosen race rejoice,
Whatever raveled waters rise and fall
Or stormy silver fret the gold of day,
And midnight there enfold them like a fleece
And lover there by lover be at peace.
The tale drove his fine angry mood away. 

He slept under the hill of Lugnagall;
And might have known at last unhaunted sleep
Under that cold and vapour-turbaned steep,
Now that the earth had taken man and all:
Did not the worms that spired about his bones
Proclaim with that unwearied, reedy cry
That God has laid His fingers on the sky,
That from those fingers glittering summer runs
Upon the dancer by the dreamlesss wave.
Why should those lovers that no lovers miss
Dream, until God burn Nature with a kiss?
The man has found no comfort in the grave.

October 14, 2005

Patched Up

I'm having trouble breathing thanks to asthma brought on by a respiratory infection.  So now seems like an ideal time to try--once again--to quit smoking.  My nicotine addiction is just that, an addiction.  It's been a long time since I've enjoyed being a smoker, but I've nonetheless been unable to give it up. Oh, how I envy all of you who've never smoked!  Fortunately, my doctor says it's not unusual to fail half a dozen times before finally quitting. I hope she's right and the seventh time's the charm. I'm all patched up and ready to go--and since I loathe the idea of failing in front of others, maybe blogging about it will be the extra incentive I need.  Here's hoping this doesn't suck for more than a couple weeks!

October 12, 2005

Threes

I just stopped by Steve's, Tony's, and Laura's with birthday wishes. Anyone else on my blogroll getting older wiser this week? ;-P

In other news, Seth just received another acceptance--this time from Verse. Good things really do come in threes I guess.

October 10, 2005

Even Under the Weather

Neither the rain nor my miserable cold could keep me from thoroughly enjoying a visit from Scop & Lyco this weekend. We ate, drank, talked, read poems. One couldn't ask for better company! I even let myself be nudged in the direction of finally sending some work out--and if I'm lucky, I'll know exactly who to thank.

Word to the wise: Cold meds and R. Lowell don't mix. Trust me.  Hopefully I'll have better luck tomorrow with my presentation on Yeats's "The Wild Swans at Coole."

October 08, 2005

Great News!

Seth just received an acceptance for his poem, "Public Defender" from the Iowa Review!  I'm so excited for him, particularly because I know how much this poem means to him. Congratulations, Sweetie!

This and That

On Thursday my Yeats professor walked into class and announced, "I have that Asian bird flu, or SARS, or something...cough! cough!" This morning my throat is a lumpy fire, and all my muscles ache--particularly the little gray one between my ears. Yuck! The timing couldn't be worse. We have friends coming up from D.C. to stay with us this weekend, and I have a paper due for this same class on Tuesday. I took some DayQuil because it happened to be in the medicine cabinet, but if anyone knows a better remedy for the symptoms of a nasty cold, please, please tell me.

The reading on Tuesday was okay. You can read Seth's take on it here. For myself, I'm always a little disappointed by university readings. The atmosphere is all wrong--too many bright lights and good manners. I suspect Franz Wright's selection of poems flowed from the limitations of the setting, as most were fairly short and easily-digestible. According to one of my classmates who attended, there was an informal Q&A session beforehand that was much more interesting. I wish I'd known about it. I spoke with Mr. Wright very briefly after the reading, and he seemed very kind--very gentle, though potentially ferocious. He has the air of a man who has been through a great deal, and is utterly without pretensions. Would that someone had dimmed the lights and asked for subtler poems!

I haven't yet finished Walking to Martha's Vineyard, but one of my favorites so far is:

Study in Acid & Green

On Broadway
blonde high-heeled skinny
kindersluts smoking and giggling
in terror

The dark side of the
knife

And the way certain places
on earth amount
to forgetting
the future,
         and heaven's
prefiguration--

Then the I died (for laughter and beauty)

                               --Franz Wright

   

October 05, 2005

Reading: Franz Wright

Franz Wright will be reading this evening at Boston College as part of their Lowell Humanities Series.  I have to admit, though I feel a little sleazy saying so, that after the incident with Poetry, I'm curious to see how the man comes off in person. I haven't given it a great deal of thought, but instinctively I feel like Poetry ought to have tucked that letter away in their archives for the amusement of future generations. I don't know whether it was a testosterone thing, or whether they did it to sell magazines, but I'd certainly respect them more if they concentrated their millions on finding buzzworthy poems rather than stirring up controversy for controversy's sake.

In any case, stay tuned for my impressions...

October 04, 2005

Sound Familiar?

"...the future of fiction is intimately bound up with the future of the society that produces and consumes it. In a society with a great and diffused literary sense the talent at play can only be a less negligible thing than in a society with a literary sense barely discernible. In a world in which criticism is acute and mature such talent will find itself trained, in order successfully to assert itself, to many more kinds of precautionary expertness than in a society in which the art I have named holds an inferior place or makes a sorry figure. A community addicted to reflection and fond of ideas will try experiments with the "story" that will be left untried in a community mainly devoted to travelling [sic] and shooting, to pushing trade and playing football."  --Henry James, The Future of The Novel, 1899.

October 02, 2005

Photos Found Online


Diena

The spot where Seth proposed...

Eiffel

...and the Eiffel Tower illuminated behind us.



Ginger Heatter

vmheatter[@]gmail.com
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